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With Collection 25 I, we are giving the exhibition Model Neutrality an echo chamber in the first half of the year. Here you can encounter Varlin’s Friedensapostel Max Daetwyler or Miriam Cahn’s series Sarajevo from 1994, as well as Ben Vautier’s ‘scandalous picture’ Suiza no existe, which was able to provoke politics in 1992
